London, England – February 2, 2016 – Fresh from its skirmish with Wikipedia over whether magnetic therapy is pseudoscience or effective alternative medicine, Magnetic Products Store (MPS®) has come out fighting with a magnetic bracelet giveaway to “brighten up someone’s Winter!”
Magnetic Products Store a leading seller of magnetic bracelets, is doing a late winter giveaway, of one of its magnetic bracelets, open to male and female entrants alike. The giveaway is being run from its Facebook page. [Click here if you are using a tablet, smartphone or other mobile device.]
“Late winter is a depressing time in England,” said MPS spokesman Phil Abrams, “because it’s still cold and rainy and the days are short, but Christmas and the New Year are behind us. Bright and shiny magnetic bracelets are a powerful antidote to the winter blues – regardless of the debate over magnetic therapy.”
The reference to “the debate over magnetic therapy” is understood to be a reference to the spat between the magnetic jewellery business and a Wikipedia editor who has consistently blocked and deleted any attempts to draw attention to studies indicating that magnetic bracelets and jewellery can have a palliative effect on arthritis patients.
Attempts to modify the Wikipedia page “Magnet Therapy“, to include references to a number of such studies have been reverted by the editor who stated ” We are not here to sell magnet therapy.” The editor argued that the statements from the medical studies to the effect that the evidence did not support magnetic therapy were the “key” statements, whilst those that said otherwise, in the case of osteoarthritis, were not.
After several unsuccessful attempts to include the qualifying statements from the relevant medical studies, MPS is now seeking to put the dispute behind them and is offering this winter giveaway of a man’s or woman’s magnetic bracelet, placing the emphasis on the brightness and aesthetics of the bracelets, rather than any contentious therapeutic or palliative properties. The giveaway result will be announced on February 6.
There comes a time in a man’s life when he must put his dreams on hold and start working hard to make a living. Or rather, there comes a time in a man’s life when he realizes this fact. For me that day has come. (That it took me so long is another story!!!!!)
The Professional Copywriting Service is a London-based copywriting team offering a comprehensive range of copywriting services, including business writing, financial public relations, report writing, technical writing, advertising and ghost-writing.
The proofreading and copy editing services that I offer are quite wide-ranging, covering everything from ebooks for the Kindle and Smashwords, through print-on-demand books via CreateSpace and Lulu, to books for publishing houses, articles for scholarly journals, blogs, company reports, charity reports, text books, internet content, etc.
See yourself as the next Bob Dylan? Maybe you’ve got a songwriting partner and you want to become the next Lennon and McCartney? Or maybe you’re more of a Burt Bacharach/Hal David type? Or Holland-Dozier-Holland. Maybe even a Mark Knopfler?
Well it doesn’t really matter, because whether you’re into writing soulful ballads, funky hip-hop, heavy rock or enigmatic songs that defy categorization, this is the course for you!
Tamara Barschak is a pianist, composer, piano teacher, film-maker and all round creative person whom I have known for many years and she is making her years of experience and training in the creative music arts available to those who want to learn the art (and science) of songwriting. If you have ever dreamed of writing that great song that lingers – barely half-formed – in your mind, now is your chance to learn from an accomplished expert who has a vast range of experience in all kinds of music: classical, jazz, bosanova, blues, pop and rock.
Tamara is qualified and experienced in teaching all aspects of musicianship and music theory. The course – carefully devised by Tamara herself and based on her years of experience as a songwriter and music teacher – includes lyric writing, lyrical genres, musical genres, melody, metre, tempo, traditional song structure and variations of structure… i.e. those rare, exceptional songs that break the rules and get away with it!
Tamara has taught music students of all levels, ages and abilities and as some one who has learned from her myself – and written songs with her – I can attest to the fact that her diversity of range and background in music and teaching makes her the ideal teacher for the creative skill of songwriting.
“Creativity itself cannot be taught,” Tamara explained to me, when I first studied at her feet (figuratively speaking), “but if even the merest hint or spark of creativity is already there, it can be nurtured, fed, fueled and channeled by the teaching (and learning) of rules, principles and their inevitable exceptions.” And it is precisely in the teaching of these rules and principles – and the art of identifying the exceptions to those rules and principles – that Tamara most impressively excels!
This short but unparalleled course, which costs just £80 and requires no previous songwriting experience, consists of five sessions (1:00 – 3:30 p.m.) over the course of five weeks, starting on the 1st of October.
1 October: The Art of Lyric Writing
8 October: Writing a melody part 1 (notes, patterns, intervals, chord progressions and key signatures)
15 October: Writing a melody part 2 (rhythm, rhythmic patterns, time signatures, tempo and metre)
22 October: Preparation for the Students’ Final Songs (with coaching and advice)
29 October: Recording Students’ Songs
The course, which includes practical exercises and hands-on practice, encourages artistic collaboration between the students, as many of the most famous songs were written by duos or larger groups.
In the final session, students will record their songs and get a recording to keep and take with them.
This is a unique opportunity to fully explore one’s own creativity, compose a song from scratch and record it forever!
Cold Turkey is the story of two drug-addicted brothers, Lee and Mark, who kidnap a right-wing radio talk-show host and deliberately set about getting him addicted to heroin, after he has angered them by mouthing off about “junkies” and their lack of “moral fibre.” To some extent they are merely taking him up on his own hubristic posturing:
“You could kidnap me tomorrow,” he bragged, “shoot me up with smack till I’m hooked and I could kick the habit cold turkey!”
But when they take up his challenge, he fails to live up to his boast and his life spirals out of control. And yet their victory is a Pyrrhic one, as differences between the brothers come to the fore, forcing them to re-evaluate their own lives – culminating in Lee taking a most extraordinary decision.
I first had the idea of Cold Turkey while I was sharing a flat with a psychologically-dependent drug user in South London. Although he was an irritating chav, a thief and even, at times, a wife-beater (or at least girlfriend-beater), I also learned about his background and the events that turned him into what he became. I saw his dependency on the friend who got him into the drug scene – a sort of substitute older brother – and the vicious circle he had got himself into. I also saw his vulnerability, how that was exploited by others and the rage that sometimes flared up within him.
The characters in this story are by no means “based on” my former flatmate and his drug-using friends. They are, however, inspired by them. The real-life character was never viciously beaten by his father. But he was thrown out by both parents after their acrimonious divorce, because of his own behaviour and at one point ended up on the streets at the age of 12, when he was “taken in” (in both senses of the expression) by a young man who introduced him to drugs and took advantage of him sexually. (Ironically, they remain friends and drug-buddies to this day, except for moments when “Lee” goes into a rage – usually under the influence of alcohol rather than drugs.
I wrote this story to explore the minds of people trapped in a downward spiral of self-destructive behaviour. I have seen “Lee” off drugs as well as on. Unlike the brothers in this film, he does not “do needles” – although some of his friends do. In truth, he is not physically addicted to heroin or any other drug – or at least was not for most of the time I knew him. Like the character in the film, he has been to prison several times, for offences like stealing (to get drug money) and violence whether against shop-keepers or others with whom he has got into conflict, under the influence of alcohol. And like the character in the film, he has been off drugs, but has always relapsed and got back “on the gear” – usually as soon as he was out of prison. (NB he did not need methadone in prison – except on one occasion.)
The novel explores such questions as: to what extent are we in control of our own lives? Are we the captains of our souls or at the mercy of the winds of fate. Can one achieve anything alone or does one always need a friend? And are some friendships toxic?
Asking these questions in the context of the modern day problem of drug (and alcohol) addiction, we see the thin line that separates winners from losers and get a glimpse of the fragility of the lifestyles that some of us take for granted.
Stepping On Mars: An Evolving and Unauthorized Elon Musk Biography by Damien Darby. $6.99 from Smashwords.com
From fleeing apartheid, sleeping on floors and showering at the local YMCA, to becoming perhaps the most prolific man in the modern world; Elon Musk is an exemplary figure. Everyone should hear about his tale, and be exposed to the prolific changes he is bringing forth into the contemporary human condition. From SpaceX Rockets to Tesla electric automobiles, Elon will soon have us stepping on Mars.
Those of you have read Ayn Rand’s Atlas Shrugged (Penguin Modern Classics) will know exactly what I’m taking about in the headline – or at least you will after you read this book about entrepreneur Elon Musk.
Just to get you started, Elon Musk is the founder of Pay Pal and Tesla Motors. This is the man who will soon have us driving electric cars – despite the best efforts of the oil companies, the auto industry, the auto dealers and crooked politicians to stop him. The Tesla Moden S and Model X – and the Tesla Roadster – are the cars of the future. And it will take more than a few crooked politicians in Texas and elsewhere in the United States to stop him from selling these cars or the customers from buying them.
But he is more than just a one-trick pony – or even a two-trick pony. He is a visionary, like Steven Jobs or Ray Kurzweil – more far-sighted than the former and more successful than the latter. If you want to know more about him, this book will get you up to speed. You will be hearing a lot more of Elon Musk in the future.
The actor Colin Firth has declined the leading role in David Kessler’s exciting new action rom-com Over in a Flash.
The role of emotionally-repressed aviation designer Conrad Finch had been specially written for Colin Firth and writer David Kessler has spent months in contact with Firth’s agent in an effort to secure the actor’s services. However the actor finally declined the role and informed Kessler of his decision through his agent.
“I am extremely disappointed,” Kessler was quoted as saying. “The role of Conrad was written for Firth and played to his strengths. The guitar-playing, the Amnesty International membership – even the carpentry skills. [Firth worked as a carpenter during a hiatus in his early acting career] There is no one who could play the role as well as he could.”
Firth’s agents declined to comment or give details of the actor’s decision. The female lead in the project (a military widow whose officer husband was killed in Helmand province) was offered to Alice Eve and the second male lead (a military test pilot) to Ewan Mcgregor. It is not clear if either will play these roles.