The price of the eBook edition of The Moses Legacy has been slashed to £1.99 to welcome in the forthcoming summer holidays.
So if you’re looking for something interesting to read on your Kindle Wireless Reading Device, Wi-Fi, Graphite, 6″ Display with New E Ink Pearl Technology, Kindle 3G Wireless Reading Device, Free 3G + Wi-Fi, 3G Works Globally, Graphite, 6″ Display with New E Ink Pearl Technology or iBook reader, you can now get it for under two quid.
For a great summer read – look no further.
The more astute readers of The Moses Legacy may have noticed an error. On page 161 I stated that Daniel Klein got his PhD from Cambridge. But on page 257, I wrote that he got it from SOAS. I don’t know whether to blame the copy editor or the proofreader.
The Moses Legacy is selling quite well. 2,696 in its first week – which wasn’t even a full week – was enough to put it into position five on the Heatseeker chart. 3,767 in its second week took it to position 3. Then last week it sold 3,137, so it will be interesting to see where it stands on the Heatseeker chart. I decided to look up the two books above it on the Heatseeker list.
The one that was is an American book that has 220 reviews on Amazon.com, 12 on amazon.co.uk and is in position 625 in the amazon.co.uk chart (paperback edition).
The book that is second has 63 customer reviews in Amazon.co.uk and is in position 172 in ther sales chart, but more importantly it has 26 press reviews including in the Times, Daily Mail, Daily Mirror, Mail on Sunday, Independent on Sunday, USA Today, Washington Post, Marie Claire, Time Out, Bookseller and Red – as well as endorsements from Stephen King, Jeffrey Deaver and Sara Paretsky. I must admit that I am a bit miffed at this as Jeffrey Deaver told me that he didn’t have time to read books – even published books. And Sara Paretsky ignored my eMail altogether.
But that’s life. We must keep on trying.
I returned from Israel on the 5th of October, refreshed and with a fair amount of the first draft written. Although it had been principally a holiday, I had taken advantage of the relaxing environment to work. I actually do my best writing on holiday. Upon my return, I updated Kate and Diane on my progress, but Diane was snowed under with work after the London Book Fair and it it took a while for her to get back to me.
Meanwhile I plowed on with the book, in-between making marketing suggestions and sending a couple of examples of the snake motif to help the cover designer. Then I noticed that Amazon had pre-listed the book as The Moses Legacy rather than The Moses Tablet. I wrote to Kate about this and she realized that she had subconsciously briefed the designer with that name too. We all thought about it further and Kate and I agreed that in fact The Moses Legacy was actually better. Diane also agreed and so now the book was back to the original title that I had first thought of when I pitched the idea.
Finally on November the 11th – less than three months after I had started – I submitted the first draft to Kate and Diane. And this was a book that I was still researching while I was writing it! And it was a lot of research! And I had a holiday in between. Kate and Diane were both impressed and now all I had to do was sit tight while they read it and gave me their feedback.
However, like most writers, I kept re-reading it. And the more I reread, the more I thought about how I should have done things differently and how I wanted to change it. But I couldn’t change it now, because Kate was reading it and presumably making editorial notes. So I wrote an eMail with the subject line “Post-Natal depression” explaining in general terms that I had been thinking about changes and had come up with some ideas. We agreed that I would make notes of my ideas but wait for her editorial comments before making any changes or even telling Kate my ideas. That way her editorial notes would be entirely her own and we would be able to see to what extent we agreed about the necessary changes.
On the 29th of November Kate and I talked on the phone. She was very impressed with the story and some of the set pieces but had found some faults that I hadn’t thought about. I for my part wanted to make some even more radical changes that would make the ending more focused and dramatic. Kate agreed that these could work, but they might require other changes earlier in the story and she was concerned that because we were already operating in a tight time-frame that I might be able to make it on time. However, she left it to my judgement and I know that the ball as in my court and it was up to me to deliver.